A ROMANCE AMONG BLOOMING ROSES The Meiyintang Collection of Three Dynasties Imperial Ceramics 瑰映如茵：玫茵堂藏元明清御窯雅蓄 Hong Kong 2 December 2021 香港 2021 年 12 月 2 日

LOT 3583

LOT 3561

LOT 3577

保�香� 拍賣日� POLY AUCTION (HONG KONG) SALES CALENDAR ��珠�專場 MAGNIFICENT JEWELS ���HKF2621-1 SALE: HKF2621-1 2021 年 11 月 27 日 星期� SATURDAY, 27 NOV. 2021 下午 1:30 1:30PM 陳年貴州茅�酒專場 ���HKF1621-2 KWEICHOW MOUTAI AUCTION 2021 年 11 月 27 日 星期� SALE: HKF1621-2 下午 5:00 SATURDAY, 27 NOV. 2021 中國書畫專場 5:00PM ���HKF3021 2021 年 11 月 28 日 星期日 FINE CHINESE PAINTINGS AND CALLIGRAPHY 上午 10:30 SALE: HKF3021 �貴��專場 SUNDAY, 28 NOV. 2021 ���HKF2621-2 10:30AM 2021 年 11 月 28 日 星期日 下午 4:30 IMPORTANT WATCHES 保利拍賣�������� SALE: HKF2621-2 二十���當代��和��日間拍賣 SUNDAY, 28 NOV. 2021 ���JA2111PP-D 4:30PM 2021 年 11 月 29 日 星期一 上午 11:00 20TH CENTURY & CONTEMPORARY ART AND DESIGN DAY SALE 保利拍賣�������� IN ASSOCIATION WITH PHILLIPS AUCTION 二十���當代���間拍賣 SALE: JA2111PP-D ���JA2111PP-E MONDAY, 29 NOV. 2021 2021 年 11 月 30 日 星期二 11:00AM �上 7:00 時�知味�陳年�洱���品專場 20TH CENTURY & CONTEMPORARY ART EVENING SALE ���HKF1621-3 IN ASSOCIATION WITH PHILLIPS AUCTION 2021 年 12 月 1 日 星期三 SALE: JA2111PP-E 上午 11:00 TUESDAY, 30 NOV 2021 尚品手��潮玩專場 7:00PM ���HKF2921 2021 年 12 月 1 日 星期三 RARE PU'ER TEA AUCTION 下午 2:30 SALE: HKF1621-3 ��日月��國杜尚家��重�中國� WEDNESDAY, 1 DEC. 2021 ��品（二） 11:00AM ���HKF3321-2 2021 年 12 月 2 日 星期四 NOBLE HANDBAGS AND HYPE COLLECTIBLES 上午 10:30 SALE: HKF2921 中國古董�玩 WEDNESDAY, 1 DEC. 2021 ���HKF3321-1 2:30PM 2021 年 12 月 2 日 星期四 順� THE DUCHANGE FAMILY COLLECTION OF IMPORTANT CHINESE ART II �貢��������品 SALE: HKF3321-2 ���HKF3321-3 THURSDAY, 2 DEC. 2021 2021 年 12 月 2 日 星期四 10:30AM 下午 2:00 盛�皇�����粉青釉��「��� CHINESE CERAMICS AND WORKS OF ART �」�大� SALE: HKF3321-1 ���HKF3321-4 THURSDAY, 2 DEC. 2021 2021 年 12 月 2 日 星期四 POSTPONE 順� �映���玫�堂�元������ PALATIAL SPLENDOUR: IMPERIAL CERAMICS AND WORKS OF ART ���HKF3321-5 SALE: HKF3321-3 2021 年 12 月 2 日 星期四 THURSDAY, 2 DEC. 2021 順� 2:00PM �稀�士��干�專場 ���HKF1621-1 THE GRAND EMPIRE: THE CELADON 'DRAGON' JAR 2021 年 12 月 2 日 星期四 SALE: HKF3321-4 下午 4:00 THURSDAY, 2 DEC. 2021 POSTPONE A ROMANCE AMONG BLOOMING ROSES: THE MEIYINTANG COLLECTION OF THREE DYNASTIES IMPERIAL CERAMICS SALE: HKF3321-5 THURSDAY, 2 DEC. 2021 POSTPONE RARE WHISKY AND COGNAC AUCTION SALE: HKF1621-1 THURSDAY, 2 DEC. 2021 4:00PM 預先�� PRE-REGISTRATION 若�下是首���競投，同時未�得保�香�拍賣有��司�可的�冊����，保��為�� 500,000 元。��下 打算競投�估價拍賣品（在���� / 或電����標有〇符�之拍賣品），保��為�� 1,000,000 元。保�香� 拍賣有���力�時���估價拍賣品之保��� / 或手� , 而不需��行�知◦在�下競投前 , ��司�有���力 向�下��提供任何有��下的財��明。��司有���力��任何�之競投登記而不需�予任何�釋◦ If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a “Premium Lot”(i.e., a lot marked with 〇 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for “Premium Lot” can be changed at any time at Poly Auction(Hong Kong)’s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at its’ sole discretion.

LOT 3582

保�香� 2021 秋�拍賣� Poly Auction Hong Kong Autumn Auctions 2021 ��預� �北預� Touring Preview 2021 年 10 月 23 � 24 日（星期�、日） 早上 10 時��上 6:30 Taipei Preview 華南�行國���中� 23 and 24 October 2021 (Saturday and Sunday) �北��義��仁路 123 � 2 � 10:00 am ‒ 6:30 pm HNBK International Convention Center �圳預� 2F, No. 123 Song Ren Road, Xinyi District, Taipei 2021 年 10 月 26 � 27 日（星期二、三） 早上 11 時��上 7 時 Shenzhen Preview �圳鵬瑞萊�士酒� 26 and 27 October 2021 (Tuesday and Wednesday) �圳�南��中�路 3008 ��圳� 1 � T7 11:00 am ‒ 7:00 pm 二��湖�、��� Raffles Shenzhen Xianhu Room, Guanlan Room 上�預� 2/F, T7, One Shenzhen Bay, 3008 Zhongxin Road, 2021 年 10 月 31 日� 11 月 1 日（星期日、一） Nanshan District, Shenzhen 早上 11 時��上 7 時 上���瑞吉酒� Shanghai Preview 上��北��路 1008 �三� 31 October to 1 November 2021 (Sunday and Monday) �功�� 1 11:00 am ‒ 7:00 pm Function Room 1 北�預� The St. Regis Shanghai Jingan 2021 年 11 月 4 � 5 日（星期�、�） Level 3, 1008 Beijing West Road, Shanghai 早上 11 時��上 7 時 北���酒� Beijing Preview 北���陽�呼����中� 4 and 5 November 2021 (Thursday and Friday) ����� 11:00 am ‒ 7:00 pm Rosewood Beijing 上�預�暨 ART021 ����� Pavilion 2021 年 11 月 11 � 14 日（星期��日） 4/F, Jing Guang Center, Hujialou, Chaoyang District, Beijing 早上 11 時��上 6 時 上�廿一當代����� Shanghai Preview and ART021 Art Fair 上�������中路 1000 � 11 to 14 November 2021 (Thursday to Sunday) 上���中�一� S44 �� 11:00 am ‒ 6:00 pm ART021 Shanghai Contemporary Art Fair 香�預� Booth S44, 1/F, Shanghai Exhibition Center 2021 年 11 月 24 � 26 日（星期三��） No. 1000, Yan�an Road Middle, Jingan District, Shanghai 早上 10 時��上 8 時 香�君�酒� Hong Kong Preview 香������ 1 � 24 to 26 November 2021 (Wednesday to Friday) 10:00 am ‒ 8:00 pm 拍賣 Grand Hyatt Hong Kong 1 Harbour Road, Wan Chai, Hong Kong 2021 年 11 月 27 日� 12 月 2 日 保�香����間 Auction 香������ 88 � �古�場 1 期 7 � 27 November to 2 December 2021 Poly Gallery Hong Kong 保�拍賣�������� 7/F, One Pacific Place 二十���當代��和��拍賣� 88 Queensway, Admiralty, Hong Kong 香� JW 萬�酒� 香������ 88 � 20th Century & Contemporary Art and Design Sales in association with Phillips Auction: 查� JW Marriott Hotel Hong Kong 電��+852 2303 9899 88 Queensway, Admiralty, Hong Kong 電郵�info@polyauction.com.hk Enquiries Tel: +852 2303 9899 Email: info@polyauction.com.hk

CHINESE CERAMICS AND WORKS OF ART 中國古董珍玩 拍賣 懷藏日月：法國杜尚家族藏重要中國藝術珍品（二） 2021 年 12 月 2 日 星期四 上午 10:30（拍品 3301-3334） 拍賣編號：HKF3321-2 中國古董珍玩 2021 年 12 月 2 日 星期四 順延（拍品 3001-3184） 拍賣編號：HKF3321-1 御貢凝輝：宮廷御製珍品 2021 年 12 月 2 日 星期四 下午 2:00（拍品 3401-3426） 拍賣編號：HKF3321-3 盛清皇權：清乾隆粉青釉浮雕「蒼龍教子」圖大罐 2021 年 12 月 2 日 星期四 順延（拍品 3501） 拍賣編號：HKF3321-4 瑰映如茵：玫茵堂藏元明清御窯雅蓄 2021 年 12 月 2 日 星期四 順延（拍品 3551-3595） 拍賣編號：HKF3321-5 AUCTION THE DUCHANGE FAMILY COLLECTION OF IMPORTANT CHINESE ART II Thursday, 2 DECEMBER 2021 10:30AM (Lots 3301-3334) Sale Number: HKF3321-2 CHINESE CERAMICS AND WORKS OF ART Thursday, 2 DECEMBER 2021 POSTPONE (Lots 3001-3184) Sale Number: HKF3321-1 PALATIAL SPLENDOUR: IMPERIAL CERAMICS AND WORKS OF ART Thursday, 2 DECEMBER 2021 2:00PM (Lots 3401-3426) Sale Number: HKF3321-3 THE GRAND EMPIRE: THE CELADON 'DRAGON' JAR Thursday, 2 DECEMBER 2021 POSTPONE (Lot 3501) Sale Number: HKF3321-4 A ROMANCE AMONG BLOOMING ROSES: THE MEIYINTANG COLLECTION OF THREE DYNASTIES IMPERIAL CERAMICS Thursday, 2 DECEMBER 2021 POSTPONE (Lots 3551-3595) Sale Number: HKF3321-5

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LOT 3552

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LOT 3580

A ROMANCE AMONG BLOOMING ROSES: THE MEIYINTANG COLLECTION OF THREE DYNASTIES IMPERIAL CERAMICS 瑰映如茵： 玫茵堂藏元明清御窯雅蓄 目 錄 CONTENTS 2  拍品 Property for Sale 160 重要通告及目錄編列方法之說明 Important Notices and Explanation of Cataloguing Practice 163 業務規則 Condition of Business 173 競投登記須知 Important Notice about Bidding Registration 174 財務付款須知 Important Notice about Payment 175 拍賣品提存運送出口須知 Important Notices about Storage Collection Shipping and Export 177 競投登記表格 Bidding Registration Form 179 委託競投表格 Absentee Bid Registration

A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 2  瑰映如茵：玫茵堂藏元明清御窯雅蓄

清香和宿雨，佳色出晴煙。 —— 錢起 《酬長孫繹藍溪寄杏》 'The fragrance blends with the flavour of evening rain. The beautiful colour stands out in clear weather like in mist.'

3551 清康熙  五彩「二月杏花」花神杯 「大清康熙年製」 A FAMILLE-ROSE 'APRICOT BLOSSOM' MONTH CUP MARK AND PERIOD OF KANGXI 杯形小巧，口沿微撇，深腹，上腹斜直，下腹微折，下承 PROVENANCE 圈足，胎薄體輕，釉面溫潤，內外施白釉，外壁以五彩繪 The Meiyintang Collection 二月杏花花卉圖，另一面配以題詩：「清香和宿雨，佳色 出晴煙」，詩文結尾處鈐印「賞」字印章款，外底心青花 LITERATURE 雙圈內書「大清康熙年製」六字三行楷書款。 Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 4(2), London, 1994-2010, p.256-259, 花神杯用唐詩為花做注，皆因康熙帝喜唐詩之故。康熙 no.1728-1739 四十四年（1705年） 三月，將編纂唐詩總集之務交給江 寧織造曹寅，並將內府所藏季振宜《唐詩》一部發下，作 Delicately potted and surmounted on a short foot, the 為校刊底本，至次年十月，即編成《全唐詩》奏上，囊 steep sides rising towards a gently everted rim, the exterior 括唐詩四萬八千九百餘首，共計900卷，康熙帝親為之作 intricately painted with an early spring scene and design 序。此時，也恰是景德鎮御窯廠康熙時期官窯燒造第三 of apricot, representing the second month, February. The 階段（1705-1722年）之肇啟。在此背景下，故唐詩成為 reverse inscribed with a ten-character poem in ‘kaishu’, 十二花神杯的主題，便情理使然。而雍正、乾隆兩朝琺瑯 and a seal mark, the base inscribed in underglaze-blue 彩瓷採用古詩做為文字題材，亦為花神杯配以唐詩經典模 with a six-character mark within double circles. 式之延續。乃為滿清帝王以「盛唐」自況的一種文化創新 與文化自信。 D 6.5cm 來源 玫茵堂，瑞士 出版 康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， 1994-2010年，頁256-259，編號1728-1739 HK$ 650,000 - 950,000 US$ 84,000 - 122,000 款識 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 敦，1994-2010年，頁256-259，編號1728-1739 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection , vol. 4(2), London, 1994-2010, p.256- 259, no.1728-1739 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 4  瑰映如茵：玫茵堂藏元明清御窯雅蓄

(two views 兩面)

3552 清雍正  粉彩「合家歡」雞缸杯一對 「大清雍正年製」 A PAIR OF FAMILLE ROSE 'CHICKEN' CUPS MARKS AND PERIOD OF YONGZHENG 此雍正雞缸杯，承襲明十五世紀成化器形，然繪風破舊立 PROVENANCE 新，以意創造，甚為稀有。杯為一對，敞口，斜直壁，矮 1. Sotheby's Hong Kong, 27 April 2003, lot 187 圈足。器心微凸，內外皆素白釉。杯外以粉彩繪子母雞 2. Eskenazi Ltd, London 圖。其中一杯畫公雞佇立張喙，其色斑斕鮮明，旁有一母 3. The Meiyintang Collection 率三雛，覓食於野地，幼雞啄蟲，牝雞羽翅棕褐，回首凝 視公雞，背面另綴小蟲。另外一杯，主題相近，其中公雞 LITERATURE 為幼雛捕獲小蟲，母雞羽翼雪白，伴隨在側。此對杯彩施 Regina Krahl, Chinese Ceramics from the Meiyintang 色精絕，雞羽之處等筆觸細微，類有畫琺瑯之感，頗為傳 Collection, vol. 4(2), London, 1994-2010, p.294, no.1758, 神。底落「大清雍正年製」青花六字三行楷書款。 1759 D 9.2cm Each of wide conical form, the almost straight sides rising from a low tapered foot and recessed base, finely 來源 painted on the exterior with different scenes of chickens 1. 香港蘇富比，2003年4月27日，編號187 and chicks, and an insect hovering on the back, one cup 2. Eskenazi Ltd，倫敦 depicting the cock crowing, with a crouching hen turning 3. 玫茵堂，瑞士 her head towards him, while one chick perches on her back and two others stand by her side fighting over a 出版 worm, the cock depicted with a pink wattle and comb, a 康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， golden neck with delicately detailed plumage, the body 1994-2010年，頁294，編號1758、1759 with feathers shaded from yellow to pink, the belly dark brown with details incised through the enamel, the back HK$ 2,500,000 - 3,500,000 golden, wing feathers outlined in brown, and impressive US$ 320,000 - 447,000 tail feathers in black and white, the hen also detailed with a pink wattle and comb with brown plumage overall, the feathers finely indicated in a darker brown tone, the chicks coloured yellow, brown and white, the other cup with a similarly coloured cock bending down to eat an insect, while a white hen with feathers finely indicated in brown stands beside him, surrounded by three chicks, one brown with details picked out in gold, one white, and one yellow, the ground indicated on both cups by turquoise dots, the insect enamelled in yellow and brown with details in gold, the bases inscribed with a six-character reign mark in three vertical lines within a double ring in underglaze blue. 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 款識 敦，1994-2010年，頁294，編號1758、1759 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection , vol. 4(2), London, 1994-2010, p.294, no.1758, 1759 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 6  瑰映如茵：玫茵堂藏元明清御窯雅蓄

成化雞缸杯乃後世相繼趨之若鶩的「古物」，邇後各朝為親炙神器 丰採而爭相仿造，令此物經年以來穩守藏瓷之冠。這波潮流風行百 載，早於名杯成器肇始之時已蔚然成風。明末清初程哲所撰《蓉 槎蠡說》羅列各朝重器，惟成化雞缸杯的價格、魅力雙絕，世無與 匹。程氏寫道萬曆皇帝（1573-1620）尤好此器，「神宗時尚食，御 前成杯一雙已值錢十萬。」康熙時期成化鬥彩雞缸杯便極受重視， 時人程哲所著《蓉槎蠡說》、劉廷幾《在園雜記》、孫承澤《硯山 齋雜記》、高士其《高江村集》等筆記內皆有記述，其中高士其更 作「成窯雞缸歌」贊詠。康熙時期仿燒品，可參考故宮博物院藏 品。乾隆皇帝在其御題《詠雞缸杯》一詩中也贊嘆：「朱明去此弗 甚遙，宣成雅具時猶見。寒芒秀採總稱珍，就中雞缸最為冠」， 認為成窯雞缸杯乃無比珍貴之名品。在此社會風氣影響下，清代御 窯廠也多有仿燒，乾隆朝仿成化雞缸杯為創新款式，畫面為童子戲 雞；與之相較，雍正朝的雞缸杯在畫面和款識上都更為忠實於成化 原型，深得成化雞缸杯之精髓。 以公雞、母雞及雛雞為藝術題材，早得宣德帝（1426-1435）青睞。 國立故宮博物院所藏一幅宣德年間畫作，正以此命題，畫上更有宣 帝蓋印、御筆題字。而後，成化帝賞宋代子母雞圖慨有所感，輒然 撰詩御題，觸物抒懷，並始飾瓷上。母雞護雛衛幼、撫育稚子，令 成化帝讃頌不已，遂成其鐘情子母雞紋的一大源由，乃至往後的康 雍二帝，亦無不為此觸動。之於雍正帝，母雞護雛更可喻其治國之 道，譬喻君主愛民如子，自勉勤恤民隱，惠澤鰥寡。成、雍二杯皆 生動描繪公母雞率領幼雛覓食，氣韻盎然，渾然天成。雍正年間， 窖燒技術發展至頂峰，並研發彩釉新品種，特別是以帶有光澤的墨 彩，描繪雞尾，與其它釉彩產生鮮明的對比，令紋飾更為生動逼 真。成化鬪彩設色雖多，但不用墨彩，只在鈷藍上加添綠彩，以達 墨色之效。而康熙黑彩暗淡無光，缺乏穩定性，須再上淺綠或紫彩 以達效果。雍正雞缸杯大多忠於成化器形，然畫風更為自然疏朗。 公雞尾部高翹，八隻小雞分散而行，花草秀石佈局比例也異於前。 但本品亦與常見雍正仿成窯雞缸杯相異，一改鬥彩為粉彩作飾，雞 身描繪之色更富於層次，靈動。彩料發色極為鮮艷奪目，似有畫琺 瑯之感，為極罕見之雍正雞缸杯類之創新雅趣。 清雍正  斗彩雞缸杯一對 明成化  斗彩雞缸杯 香港蘇富比，2014年4月8日，編號3109 © 大維德基金會 A pair of doucai 'chicken' cups, marks and period of Yongzheng A doucai 'chicken' cup, mark and period of Chenghua Sold in Sotheby's Hong Kong, 8 April 2014, lot 3109 © The British Museum, Percival David Foundation A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 8  瑰映如茵：玫茵堂藏元明清御窯雅蓄

This exquisitely painted piece is an extremely rare version of chicken cups produced during the Yongzheng reign that were directly inspired by the treasured Chenghua originals. It closely follows the Chenghua prototype in form and composition, but with the slightest variation on the design, such as the more elaborate tails of the cocks instead of three long feathers. The design of a cock and a hen with chicks in a garden setting was a design innovation of the Chenghua reign, although the subject was a well-known topic of Song dynasty painting. By the Yongzheng period, developments in enamel technology saw the invention of glossy black enamel that was added to the tails of the cocks to capture the richness of the birds. For examples of the Chenghua original, see eight in the National Palace Museum, Taipei, of which six were included in Chenghua ciqi tezhan/ Special Exhibition of Ch’eng-hua Porcelain Ware, 1465-1487 , National Palace Museum, Taipei, cat. nos 132-7; one from the Sir Percival David Collection, and now in the British Museum, London, included in the exhibition Flawless Porcelains. Imperial Ceramics from the Reign of the Chenghua Emperor , Percival David Foundation of Chinese Art, London, 1995, cat. no. 22.

3553 清雍正  釉裡紅三魚紋盤一對 「大清雍正年製」 A PAIR OF UNDERGLAZE-RED 'FISH' DISHES MARK AND PERIOD OF YONGZHENG 本對盤敞口，淺腹，圈足。內壁光素，外壁繪以釉裡紅三 PROVENANCE 魚紋。底部青花雙圈「大清雍正年製」六字兩行楷書款。 The Meiyintang Collection 全器造型端莊，線條優美，通體所施白釉潔白滋潤，外壁 的釉裡紅三魚紋寓意「連年有餘」。釉裡紅紋飾特徵是剪 LITERATURE 影式，不加細節描繪，三魚色調紅豔，現於白釉之上，自 Regina Krahl, Chinese Ceramics from the Meiyintang 然明快，相映成趣。 Collection, vol. 4(2), London, 1994-2010, p.242, no.1719 這對盤是清雍正官窯仿前官窯的名貴品種，關於此式三魚 Each dish is potted with low, rounded sides set over a 紋的燒造，唐英在《陶成紀事碑》中有明確記載：「…… slightly tapered foot. The exterior is painted in underglaze 一仿宣窯寶燒，有三魚、三果、三芝、五蝠四種」，本對 copper red with three fish swimming gracefully against the 盤即為這種「三魚」之代表。而此種釉裡紅製法承襲自永 white ground. Their tails sweep gently up and fins extended 宣御窯，所飾銅紅釉，或夾施於透明釉層之間，異於常見 with the varying blush tones of the copper red enhancing 之釉下銅紅彩繪技藝。此法若成，所得紅色更顯強烈，雖 the naturalism. The base is inscribed with a six-character 無法呈遞紋樣細節，具有天然紅寶石般光澤，最適凸顯剪 mark in underglaze blue within a double circle. 影視效，文獻稱之為「釉裡紅寶燒」，為雍正御瓷中仿古 佳制，彰顯其品味之逸雅絕塵。 D 15cm; D 14.7cm 來源 玫茵堂，瑞士 出版 康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， 1994-2010年，頁242，編號1719 HK$ 400,000 - 600,000 US$ 52,000 - 77,000 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 敦，1994-2010年，頁242，編號1719 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection , vol. 4(2), London, 1994-2010, p.242, no.1719 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 10  瑰映如茵：玫茵堂藏元明清御窯雅蓄

3554 清雍正  窯變釉舖首耳尊 「雍正年製」 A FLAMBE-GLAZED VASE, ZUN SEAL MARK AND PERIOD OF YONGZHENG H 26cm PROVENANCE 1. Christie's Hong Kong, 30 May 2006, lot 1366 來源 2. The Meiyintang Collection 1. 香港佳士得，2006年5月30日，編號1366 2. 玫茵堂 ，瑞士 LITERATURE Regina Krahl, Chinese Ceramics from the Meiyintang 出版 Collection, vol. 4(2), London, 1994-2010, pp.359-361, 康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， no.1809 1994-2010年，頁359-361，編號1809 HK$ 2,800,000 - 3,200,000 US$ 358,000 - 409,000 款識 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 敦，1994-2010年，頁359-361，編號1809 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection , vol. 4(2), London, 1994-2010, pp.359-361, no.1809 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 14  瑰映如茵：玫茵堂藏元明清御窯雅蓄

本品撇口，束頸，頸以下漸擴，垂腹，下承圈足。近口沿 The pear-shaped body is molded with double-ribs at 處及肩腹部飾雙弦紋兩組，肩兩側對飾鋪首銜環，獸面的 the shoulder and applied with two taotie mask handles 口中銜一環，稱「鋪首銜環」，由青銅器肩部裝飾的銜耳 suspending fixed rings. The vase is covered with a 環獸首演化而來，通體滿施窯變釉，釉色斑斕絕美，密布 characteristically thick and bright purple glaze with 開片，色澤中紫紅色較重，參雜天藍、月白兩色流淌交 turquoise streaks thinning to a brown over the extremities 融，有「雲亂水光浮紫翠」的詩意之美。底部施醬色釉， and mouth rim. The base is covered in café-au-lait and 釉色斑駁，深淺不一，中央釉下刻「雍正年製」四字陰文 incised with a four-character Yongzheng seal mark. 篆書款識。 Only one other flambé-glazed vase of this form and 雍正帝偏愛鈞瓷，曾詔命燒造仿古鈞瓷，及研發其他相類 design is known, included in the Min Chiu Society Thirty- 釉色，據《清文件》記載，清雍正六年皇室派駐景德鎮御 fifth Anniversary Exhibition, In Pursuit of Antiquities, 窯廠的內府員外郎、陶務佐理唐英協理景德鎮御窯廠窯 Hong Kong, 1995, illustrated in the Catalogue, pl. 137, 務，七年，會同幕友吳堯圃「杜門，謝交遊，聚精會神， and subsequently sold in Christie’s Hong Kong, The 苦心竭力，與工匠同其食息」，終於熟知了「物料、火 Jingguantang Collection, 3 November 1996, lot 564. 候生克變化之理」，經反復實驗，雍正十三年（1735） 「新得窯變」。由此，仿古的銅紅窯變釉，從造型、裝飾 Cf. other related flambé-glazed vases bearing Yongzheng 到釉色各方面獲得可控的突破，制器燒窯漸趨完美。 marks, although none of this exact form, in the Palace Museum, Beijing, illustrated in Kangxi, Yongzheng, 雍正御窯鋪首尊傳世稀少，所見之品種有青花、窯變釉 Qianlong, Hong Kong, 1989, pp. 278-281, pls. 107-110. 和仿汝釉，為清宮經典之陳設花器。與本品近似一例 雍正窯變釉鋪首尊，為豐肩者，出自著名中國單色釉 藏家E. T. Hall舊藏，並著錄於《Hall Family Collection inventory》，編號441，最早來源於Bluett & Sons London。故宮博物院藏一例清雍正窯變釉雙帶耳瓶，與 本品風格一致，錄於《故宮博物院藏文物珍品大系—顏色 釉》，2009年，頁201，圖181。 戰國 三角雲紋獸耳銅壺 清雍正 窯變釉獸耳弦紋瓶 © 台北故宮博物院 清宮舊藏 A flambé glaze vase with handles, © 台北故宮博物院 seal mark and period of Yongzheng An archaic bronze vessel, Warring © The Palace Museum, Taipei states period © The Palace Museum, Taipei A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 16  瑰映如茵：玫茵堂藏元明清御窯雅蓄

3555 清雍正/乾隆  蘋果綠釉菊瓣盤 A FINE APPLE GREEN-GLAZED CHRYSANTHEMUM DISH YONGZHENG/ QIANLONG PERIOD 本品盤呈菊瓣形，侈口弧壁，下承圈足，形制秀美。盤內 PROVENANCE 外壁均施蘋果綠釉，瑩潤光亮。圈足內施白釉，釉色與形 1. Collection of Enid and Brodie Lodge (1880-1967), no. 制搭配相宜，遠望如素菊靜放。外底施白釉，底內未書寫 M33 款識。 2. The Meiyintang Collection 「蘋果綠」釉又稱澆綠釉，創燒於明初永宣時期，嘉靖一 EXHIBITION 朝十分流行，在清初之際景德鎮窯廠已掌握十分成熟的配 Pure and Natural: Special Exhibition of Ming and Qing 方和燒造技術，釉色可達翠色怡人之境，燒成時釉中的銅 Monochrome Porcelains, Poly Art Museum, Beijing, 2018 大部分被氧化而形成深淺不一的綠色，一般在淺綠色底上 雜有深綠色斑點，少數地方微泛紅色，酷似新鮮蘋果。在 LITERATURE 康熙二十年，此種釉瓷正式成為官窯燒造的品類之一。而 1. Regina Krahl, Chinese Ceramics from the Meiyintang 傳世品與館藏品種，此類蘋果綠釉器物並不多見，菊瓣盤 Collection, vol. 4(2), London, 1994-2010, p.394, no.1833 更為罕有，翻閱海內外公私資料，雖有綠釉器，錄於《中 2. Pure and Natural: Special Exhibition of Ming and Qing 國名陶展》，頁115，圖版126；然蘋果綠釉者則未見他 Monochrome Porcelains, Poly Art Museum, Beijing, 2018, 例，本品雖無落款，但應為孤品，極為珍貴。 p.298, no.116 D 17.5 cm The dish is potted with the shallow rounded sides, moulded in the form of forty slender fluted petals radiating 來源 from a slightly recessed flat centre. It is supported on a foot 1. Enid Lodge 及 Brodie Lodge（1880-1967）收藏，編 of corresponding form and covered overall with a lustrous 號M33 vibrant apple-green glaze. The center of the base is left 2. 玫茵堂，瑞士 white and inscribed with a six-character reign mark within a double circle in underglaze blue. 展覽 《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博物 館，北京，2018年 出版 1. 康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， 1994-2010年，頁394，編號1833 2. 《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博 物館，北京，2018年，頁298，編號116 HK$ 650,000 - 950,000 US$ 84,000 - 122,000 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 敦，1994-2010年，頁394，編號1833 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection , vol. 4(2), London, 1994-2010, p.394, no.1833 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 20  瑰映如茵：玫茵堂藏元明清御窯雅蓄

(side view 側面)

3556 清雍正  白釉菊瓣盤 「大清雍正年製」 A FINE WHITE-GLAZED CHRYSANTHEMUM DISH MARK AND PERIOD OF YONGZHENG 本品釉色潔白，胎質溫潤。盤壁呈菊花瓣狀，造型秀美端 PROVENANCE 莊，線條優美舒暢，配以勻淨瑩潤的釉色，顯示了雍正時 The Meiyintang Collection 期制器靜雅纖麗的藝術風格及高超的製瓷水平。雖後世乾 隆朝亦有製作，但難及雍正本朝形巧色美。外底施白釉， EXHIBITION 內書青花雙圈「大清雍正年製」六字雙行楷書款。 Pure and Natural: Special Exhibition of Ming and Qing Monochrome Porcelains, Poly Art Museum, Beijing, 2018 D 16cm LITERATURE 來源 1. Regina Krahl, Chinese Ceramics from the Meiyintang 玫茵堂，瑞士 Collection, vol. 4, London, 1994-2010, pp.320-321, no.1781 展覽 2. Pure and Natural: Special Exhibition of Ming and Qing 《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博物 Monochrome Porcelains, Poly Art Museum, Beijing, 2018, 館，北京，2018年 p.277, no.105 出版 1.康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， 1994-2010年，頁320-321，編號1781 2.《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博 物館，北京，2018年，頁277，編號105 HK$ 1,000,000 - 1,500,000 US$ 128,000 - 192,000 款識 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 敦，1994-2010年，頁320-321，編號1781 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection , vol. 4, London, 1994-2010, pp.320- 321, no.1781 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 22  瑰映如茵：玫茵堂藏元明清御窯雅蓄

甜白釉由純釉石提煉，幾乎不含釉灰。甜白釉釉面臻美， The dish is potted with the delicate shallow rounded sides 潔白玲瓏，瑩亮而溫潤不寒，光致而觸手柔滑，無論凝神 and is exquisitely moulded in the form of twenty-four 細賞、或把於掌中，皆為賞心樂事，意趣無窮。雍正帝對 slender fluted petals, simulating a chrysanthemum bloom. 白釉器別有青睞，據現內務府造辦處檔案最早記載年希堯 All these are supported on a foot of corresponding form. It 榷陶的史實，就是雍正皇帝令其仿燒前朝白瓷。 is covered overall save for the footring with an even opaque white glaze. The base is inscribed in underglaze blue with a 然而，從史料中所見，清宮所藏的雍正白釉瓷器甚為稀 six-character reign mark within a double circle. 少。參考乾隆二年《各作成做活計清文件》記錄：「內務 府慶豐司員外郎臣唐英今將乾隆貳年分選存貳色琢元瓷 Chrysanthemum-shaped dishes appear in complete 器佑計價值敬繕黃冊恭呈御覽計開：貳色元器：第拾貳 sets of twelve colors, with the most notable set, all with 桶：……填白釉菊瓣六寸盤拾柒件（每件捌分筭價銀壹兩 Yongzheng marks, being in the Beijing Palace Museum, 三錢陸分）」，嘉慶元年《各作成做活計清文件》中記 illustrated in The Complete Collection of Treasures of the 錄：「九月十五日收，華妃遺下：……填白磁菊花盤一件 Palace Museum - Monochrome Porcelain , Hong Kong, （紫檀座）、（嘉慶十七年十月二十一日賞祿喜等），在 1999, pl. 257. 民國十四年清室善後委員會《故宮物品點查報告》中盤點 壽安宮物品報告中得知：「故宮物品點查報告－壽安宮： Other white-glazed Yongzheng-marked chrysanthemum 闕字四三〇木櫃一個：三十三號，雍正欵白地葵瓣菊花盤 dishes are known. See one from a set of seven, illustrated 一對。」均為此類盤在清宮中收藏、賞賜情況，尤其可見 in The Official Kiln Porcelain of the Chinese Qing Dynasty, 此雍正白釉盤在清宮存瓷中較為稀少。 Shanghai, 2003, p. 180. 同類拍品可參見香港佳士得，2012年5月30日，編號 3967，以及倫敦蘇富比，1967年11月14日，編號136。 出版物可參閱《五色瓊霞——竹月堂藏元明清一道釉瓷 器》，香港中文大學文物館，2005年，頁83，圖25； 《故宮博物院藏文物珍品大系．顏色釉》，上海科學技術 出版社，1999年，頁282，圖257；《故宮博物院藏文物 珍品大系．顏色釉》，上海科學技術出版社，1999年， 頁92，圖85。 清雍正 檸檬黃釉菊瓣盤 瑞士鮑爾收藏 A fine yellow-glazed chrysanthemum dish, Yongzheng period The Baur Collection, Geneva A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 24  瑰映如茵：玫茵堂藏元明清御窯雅蓄

(side view 側面)

3557 清雍正  寶石藍釉菊瓣盤 「大清雍正年製」 A RARE BLUE-GLAZED CHRYSANTHEMUM DISH MARK AND PERIOD OF YONGZHENG D 17.8cm PROVENANCE The Meiyintang Collection 來源 玫茵堂，瑞士 EXHIBITION Pure and Natural: Special Exhibition of Ming and Qing 展覽 Monochrome Porcelains, Poly Art Museum, Beijing, 2018 《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博物 館，北京，2018年 LITERATURE 1. Regina Krahl, Chinese Ceramics from the Meiyintang 出版 Collection, vol. 2, London, 1994-2010, p.196, no.847 1.康蕊君，《玫茵堂藏中國陶瓷》，卷二，倫敦，1994- 2. Pure and Natural: Special Exhibition of Ming and Qing 2010年，頁196，編號847 Monochrome Porcelains, Poly Art Museum, Beijing, 2018, 2.《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博 p.286, no.110 物館，北京，2018年，頁286，編號110 HK$ 1,000,000 - 1,500,000 US$ 128,000 - 192,000 款識 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷二，倫敦， 1994-2010年，頁196，編號847 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London, 1994-2010, p.196, no.847 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 26  瑰映如茵：玫茵堂藏元明清御窯雅蓄

(side view 側面) 本品呈菊瓣形，淺弧壁，圈足。盤壁花瓣大小分布均勻。 The dish is delicately potted with shallow rounded sides 胎體細緻堅密，迎光能透，顯示了雍正時期制器靜雅纖麗 and is exquisitely moulded in the form of forty-four slender 的藝術風格以及極為高超的制胎水準。通體灑藍釉，釉光 fluted petals with pointed tips radiating from a slightly 鮮亮細潤，使人深深陶醉。此盤擬取秋菊之形，造型雋 recessed flat centre simulating a chrysanthemum bloom. It 美，配以勻淨瑩潤的釉色，彰顯出此器清新脫俗之藝術魅 is supported on a foot of corresponding form and covered 力。器底雙圈「大清雍正年製」兩行六字青花楷書款。 overall with a rich, lustrous glaze of deep sapphire-blue tone. The base is inscribed in underglaze blue with a six- 菊瓣盤是清代雍正御窯名貴品種，也是雍正朝極具特色的 character reign mark within a double circle. 藝術品。據《清檔．雍正記事雜錄》記載，雍正十一年 「十二月二十七日，內務府總管年希堯家人鄭天賜宋濤各 Chrysanthemum dishes of this form were made in a 色菊花式盤十二色，內每色一件。司庫常保、首領太監薩 wide range of colours during Yongzheng’s reign. See 木哈呈覽。奉旨：著交與燒造磁器處，照此樣每式燒造 twelve Yongzheng dishes of this form, in twelve kinds of 四十件。」足見雍正皇帝對於此種作品的喜愛之情。查閱 glazes including one in yellow glaze, illustrated in Kangxi. 公私資料收藏，此類灑藍釉菊瓣盤留存極少，故宮博物院 Yongzheng. Qianlong. Qing Porcelain from the Palace 所藏一套雍正菊瓣盤其中一隻，可作比對。 Museum Collection, Hong Kong, 1989, pl. 145. 灑藍釉，又稱「雪花藍釉」、「灑藍釉」。明宣德時景德 鎮所創，清康熙時燒製成熟。是在燒成的白釉器上，以竹 管蘸藍釉汁水，吹於器表，形成厚薄不均、深淺不同的斑 點；所余白釉地徬彿是飄落的雪花，隱露於藍釉之中。清 康熙、雍正、乾隆時期的灑藍釉瓷器呈色穩定，由於燒造 時的工藝複雜，成功率比較低，實為珍稀品種。 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 28  瑰映如茵：玫茵堂藏元明清御窯雅蓄

3558 清乾隆  胭脂紅釉菊瓣盤 「大清乾隆年製」 A RARE RUBY-RED GLAZED CHRYSANTHEMUM DISH MARK AND PERIOD OF QIANLONG D 17.9cm PROVENANCE 1. Sotheby's Hong Kong, 20 May 1986, lot 90 來源 2. The Meiyintang Collection 1. 香港蘇富比，1986年5月20日，編號90 2. 玫茵堂，瑞士 EXHIBITION Pure and Natural: Special Exhibition of Ming and Qing 展覽 Monochrome Porcelains, Poly Art Museum, Beijing, 2018 《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博物 館，北京，2018年 LITERATURE Regina Krahl, Chinese Ceramics from the Meiyintang 出版 Collection, vol. 2, London, 1994-2010, p.245, no.916 康蕊君，《玫茵堂藏中國陶瓷》，卷二，倫敦，1994- 2010年，頁245，編號916 HK$ 1,000,000 - 1,800,000 US$ 128,000 - 230,000 款識 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷二，倫敦，1994- 2010年，頁245，編號916 Published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London, 1994-2010, p.245, no.916 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 30  瑰映如茵：玫茵堂藏元明清御窯雅蓄

(side view 側面) 此件胭脂紅釉菊瓣盤，敞口，盤壁呈菊花瓣狀，淺弧壁， The dish is potted with the sides finely moulded with forty- 圈足。器底、亦施胭脂紅釉。盤壁花瓣大小分布均勻，胎 four fluted petals radiating from a slightly recessed flat 體細緻堅密，胎體細薄，迎光能透。此盤擬取秋菊之形， centre to form a foliate rim. It is supported on a straight 造型雋美，配以勻淨瑩潤的釉色，彰顯出此器清新脫俗之 foot of conforming shape and is covered overall in a rich 藝術魅力。底部白釉正中落款，青花雙圈內露白釉地，落 pink red glaze of crushed raspberry tone. The base is left 「大清乾隆年製」六字雙行楷書款。 white with a six-character Qianlong mark within a double circle. 胭脂紫釉為明清色釉中的名貴品種，創燒於清康熙晚期， 雍正乾隆時期盛行，其以金為呈色劑，釉呈胭脂紅色，故 The use of a regular script of the mark on this exquisite 稱為「胭脂紅釉」，又稱為「金紅」。陳瀏《陶雅》評論 chrysanthemum dish suggests that it was created at the 有「胭脂紅也者，華貴中之佚麗者也。……勻淨明艷，殆 beginning of the Qianlong era. Qianlong dishes of this type 亡倫比。紫晶遜其鮮妍，玫瑰無其嬌麗」。在雍正十三年 are known in various coloured glazes; see two examples, （1735年）督陶官唐英所撰《陶成紀事碑》中有載，稱 one of coral glaze and the other of turquoise glaze, 之「西洋紅色器皿」。 檢閱各大公私收藏，各色釉雍正 illustrated in John Ayers, The Baur Collection, Geneva , 菊瓣盤均以胭脂紅作品存世較少。故宮博物院藏有雍正 vol. III, Geneva, 1972, pls A499 and A450 respectively; a 十二色釉菊瓣盤一套，其中可見胭脂紫釉盤一隻。 celadon-glazed example included in the Oriental Ceramic Society exhibition Iron in the Fire , Ashmolean Museum, Oxford, 1988, cat. no. 83. A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 32  瑰映如茵：玫茵堂藏元明清御窯雅蓄

3559 清雍正  紫金釉菊瓣盤 「大清雍正年製」 A RARE PERSIMMON-GLAZED CHRYSANTHEMUM DISH MARK AND PERIOD OF YONGZHENG D 17.5cm PROVENANCE 1. Eskenazi Ltd, London 來源 2. The Meiyintang Collection 1. Eskenazi Ltd，倫敦 2. 玫茵堂，瑞士 EXHIBITION 1. A Selection of Ming and Qing Porcelain , Eskenazi, 展覽 London, 2004 1. 《明清陶瓷選粹》，Eskenazi，倫敦，2004年 2. Pure and Natural: Special Exhibition of Ming and Qing 2. 《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博 Monochrome Porcelains, Poly Art Museum, Beijing, 2018 物館，北京，2018年 LITERATURE 出版 1. Regina Krahl, Chinese Ceramics from the Meiyintang 1. 康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫敦， Collection, vol. 4(2), London, 1994-2010, p.392, no.1831 1994-2010年，頁392，編號1831 2. A Selection of Ming and Qing Porcelain , Eskenazi, 2. Eskenazi，《明清陶瓷選粹》，倫敦，2004年，編號12 London, 2004, no.12 3.《大樸尚簡——明清單色釉瓷器菁華展》，保利藝術博 3. Pure and Natural: Special Exhibition of Ming and Qing 物館，北京，2018年，頁294，編號114 Monochrome Porcelains, Poly Art Museum, Beijing, 2018, p.294, no.114 HK$ 1,000,000 - 1,500,000 US$ 128,000 - 192,000 款識 出版於康蕊君，《玫茵堂藏中國陶瓷》，卷四（二），倫 出版於Eskenazi，《明清陶瓷選粹》，倫敦，2004年，編號12 敦，1994-2010年，頁392，編號1831 Published in A Selection of Ming and Qing Porcelain , Published in Regina Krahl, Chinese Ceramics from the Eskenazi, London, 2004, no.12 Meiyintang Collection , vol. 4(2), London, 1994-2010, p.392, no.1831 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 34  瑰映如茵：玫茵堂藏元明清御窯雅蓄

(side view 側面) 本品呈菊花瓣形，弧壁，圈足。盤內外施紫金釉。足圈內 The dish is potted with the sides finely moulded with forty- 施白釉，底青花雙圈內書「大清雍正年製」楷書款。紫金 four fluted petals radiating from a slightly recessed flat 釉又名醬釉，是以鐵為著色劑的一種高溫釉。雍正紫金釉 centre to form a foliate rim. It is supported on a straight 承宣德醬釉的優秀傳統，燒製出了如此器般色澤烏亮、釉 foot of conforming shape and is covered overall in an even 面瑩潤的紫金釉，展示了雍正單色釉的最高水準。 glossy and opaque coffee-brown glaze. The base is left white with a six-character Yongzheng mark within a double 故宮博物院藏一套十二件雍正款單色釉菊瓣形盤，包括紫 circle. 金釉，見《故宮博物院藏文物珍品全集——顏色釉》， 1999年，香港，頁282-283，圖版257。北京首都博物 Other similar Yongzheng cafe-au-lait glazed dishes are 館藏同色盤一件，見熊寥著《官窯名瓷》，1993年，台 published, one in the Capital Museum, Beijing, illustrated 北，圖版153；另一例展於《敏求精舍——明清單色釉 by Xiong Liao, Beauty of Ceramics: Gems of the Official 瓷展覽》，刊於展覽圖錄，1977年，香港，圖版95；以 Kilns, Taipei, 1993, pl. 153; one included in the Min 及倫敦大維德基金會藏品一件，蘇玫瑰，《Illustrated Chiu Society exhibition, Monochrome Ceramics of Ming Catalogue of Ming and Qing Monochrome Wares in and Ch’ing Dynasties, Hong Kong Museum of Art, 1977, the Percival David Foundation of Chinese Art》，倫 illustrated in the Catalogue, no. 95; and one with a pale 敦，1989年，圖錄編號B597。同款盤見H.M. Knight cafe-au-lait enamel in the Percival David Foundation, Collection舊藏，後成為霍爾家族藏品；1988年展出於 illustrated in the Catalogue, Section 6, no. B597. 牛津Ashmolean Museum舉辦東方陶瓷學會展覽《Iron in the Fire》，圖版90；後售紐約佳士得，2004年9月21 日，編號305。 A Romance Among Blooming Roses：The Meiyintang Collection of Three Dynasties Imperial Ceramics 36  瑰映如茵：玫茵堂藏元明清御窯雅蓄