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艺术家的“画廊”Artist's \"gallery\"教室⾥⼀张破烂的欧洲地图。Bagaladi。1950年意⼤利。© David SeymouDavid Seymour A tattered map of Europe in a classroom. Bagaladi. Italy. 1950.© David Seymour | Magnum Photos.联合国教科⽂组织视听档案(数字化之前)的分析揭⽰了⼀个被遗忘的相册兼⽇记,由MagnumPhotos的创始⼈之⼀David ' Chim ' Seymour保存。重新发现的这份⽂件制作于1950年,当时他正在记录UNSECO在意⼤利南部的扫盲运动。1952年,在联合国教科⽂组织的内部刊物《信使》上刊登了许多Chim在这个项⽬中拍摄的照⽚,旁边还有Carlo Levi的⼀篇⽂章。Carlo Levi当时因其回忆录《基督在埃博利停留》⽽闻名。An analysis of UNESCO's audiovisual archives (before digitizati... [收起]
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艺术家的“画廊”

Artist's \"gallery\"

教室⾥⼀张破烂的欧洲地图。Bagaladi。1950年意⼤利。

© David Seymou

David Seymour A tattered map of Europe in a classroom. Bagaladi. Italy. 1950.

© David Seymour | Magnum Photos.

联合国教科⽂组织视听档案(数字化之前)的分析揭⽰了⼀个被遗忘的相册兼⽇记,由Magnum

Photos的创始⼈之⼀David ' Chim ' Seymour保存。重新发现的这份⽂件制作于1950年,当

时他正在记录UNSECO在意⼤利南部的扫盲运动。1952年,在联合国教科⽂组织的内部刊物

《信使》上刊登了许多Chim在这个项⽬中拍摄的照⽚,旁边还有Carlo Levi的⼀篇⽂章。

Carlo Levi当时因其回忆录《基督在埃博利停留》⽽闻名。

An analysis of UNESCO's audiovisual archives (before digitization) revealed a

forgotten album and diary, preserved by Magnum Photos' co-founder David 'Chim'

Seymour.The rediscovered document was produced in 1950 when he was

documenting UNSECO's literacy campaign in southern Italy.In 1952, many of Chim's

photographs taken in this project were published in the UNESCO internal journal,

The Courier, alongside an article by Carlo Levi.Carlo Levi was famous at the time for

his memoir, Christ's Stay at Eboli.

笔记草图

Notes on the sketch

这张草图通过直观感受去描述照⽚中⼩男孩在地图上所看的位置,⽽这位置也成为我草图中

所选取的⼀个作画⻆度,⼀个“⽅向”,对于⼀个未知的”⽅向“,这张地图就成了⼩男孩的通向

之路。

This sketch describes visually the position of the boy on the map,And this position

becomes an Angle, a \"direction\" that I choose in my sketches,For an unknown

\"direction,\" the map is the boy's path.

⽩⽪书的部分⻚⾯设计

Part of the white paper page design

(该图标设计 鉴于国 的书籍)

⾊彩感知

Color perception

五颜六⾊的伞做成的圆顶装饰了巴西

的海滩。

ome installation made out of

colorful umbrellas decorates

beach on brazil.

奥帕维⽡拉设计的伞形建筑,有着穹顶的形状!bambutec则参考了巴西本⼟的房屋,称为

ocas。⾬伞的颜⾊是根据LGBTQIA+国旗的8个⾊度来选择的。这个装置看起来就像⼀个彩虹

炸弹,是在巴西城市⾥约热内卢de janeiro的⼟地上盛开的各种花卉的组合。在它的底

部,“solaroca”接收了由opavivara设计的标志性的三重沙滩椅。整个装置都沉浸在⾥约⽂化

中,⽬的是⼤胆地占领公共空间。

The umbrella building designed by Opaviwara has the shape of a dome!Bambutec

refers to houses in Brazil itself, called Ocas.The umbrella colors are chosen

according to the eight shades of the LGBTQIA+ flag.The installation looks like a

rainbow bomb, a combination of flowers blossoming in the land of Rio DE Janeiro.At

its base, the Solaroca receives the iconic triple beach chair designed by

Opavivara.Immersed in Rio culture, the installation aims to boldly occupy public

space.

笔记草图

Notes on the sketch

草图更多的表现装置的状态,以及制作的过程的记录,从基底到顶棚伞的架起,把更多与环境

进⾏某种意义上的交接,⽽左图的艺术家更多是打造与环境相呼应的⼀个⻦屋公共装置。在装

置上,会更注重于表达外在形态所带来的效果。

The sketch is more about the state of the installation, as well as the recording of the

production process, from the base to the setting of the canopy, so as to connect

with the environment in a certain sense. The artist in the left picture is more about

creating a public installation in a bird house that echoes with the environment.On

the device, more attention will be paid to the effect of expressing the external form.

⽩⽪书的部分⻚⾯设计

Part of the white paper page design

(关于该主题的主⻚⾯)

(关于该主题的部分⻚⾯)

⻚⾯的设计并不再是具有强饱和度的状态,⽽更多在缺失颜⾊下,⼈们的所反映的⾏为举⽌和

状态。相反,对我⽽⾔,缺失颜⾊⽽再进⾏添加的⼒度是不够⼤的,这样只是会让它呈现

出“外在的形态”,⼈们只会认知眼前环境的所呈现的样貌。(随着周边的环境的变化来看,有

时需要的是直⾯现象本⾝,并⾮停留在“物”所被包装的外表,这也是我对这个主题的⼀个扩

展)

The design of the page is no longer a state of strong saturation, but more a

reflection of the behavior and state of people in the missing color.On the contrary,

to me, the lack of color is not strong enough to add, it will only take on the

\"external shape\", people will only recognize the environment as it is presented.(As

the surrounding environment changes, sometimes what is needed is to face the

phenomenon itself, rather than stay in the appearance of \"things\", which is also an

extension of my theme.)

⽚刻 MOMENT

影像的部分内容

Part of the image

影像⽅案草图

影像其实是⼀种“正反对话”,⽽影⽚的线路以反向时间的与该时间段中所处环境的变化进⾏叙

述,包括不同时间段中的影像重组,构建起两者或三者以上的存在关系,在每个章节中,通过

影像间的联系去构成⼀个新的主题段落。

Image is actually a kind of positive and negative dialogue \", \"the film lines to

reverse time and the change of the environment in the period of narrative,

including the restructuring of images from different time periods, the existence of

the above relations, build up two or three in each chapter, through the relationship

between image to constitute a new topic paragraphs.

学习⽂案

Learn copywriting

O U T O F F A S H I O N

艺 术 的 \" ”

A r t i s t ' s \" g a l l e r y \"

图⽚:草图笔记

⽂案:姚雄元

排版:姚雄元

地图MAP

⼀个“⽅向”

性的标志符号

同时标志的各

个⽅向,每个

都会呈现出不同的现象。

A \"directional\" sign

 indicates alldirections

 at  the same time, each

 of which presents a 

different phenomenon.

DESIGN

影像视频

IMAGE

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